Santiago Lemus and Camilo Acosta Huntertexas, Los Amarillos, 2022

In Colombia, many people living with HIV experience jaundice–the yellowing of the eyes and skin–as a side effect of the low cost antiretroviral drugs supplied by the government. Los Amarillos is an experimental video addressing the alienation and hypervisibility that the artists have faced as a result of this side effect.

Commissioned in 2022 as part of BEING AND BELONGING, a program of seven new videos highlighting strategies of community care within the ongoing HIV epidemic.

︎︎︎ Read more in the resource guide

About the artists

Camilo Acosta Huntertexas (he/him) is a visual artist born in Ibagué-Tolima, Colombia with a focus on audiovisual projects, video editing, experimental video, VJ sets, and music video production. His video work has been exhibited in Spain, Germany, Mexico, Canada, France among others. He has also developed curatorial projects involving performance, video, and live arts in both conventional and unconventional spaces. Acosta is a co-founder and active member of the House of Tupamaras, a collective committed to research and creative production around issues of gender, performance, and public space. He is also part of the performance collective Street Jizz. ︎ ︎ ︎

Santiago Lemus (he/him) is an artist born in Sogamoso, Colombia. His interdisciplinary work uses organic matter, image, and sound to address the relationship between art, nature, and landscape through installations, interventions, performances, photography, and video. Lemus’s work has been exhibited in cities such as Bogotá, Barranquilla, and Berlin, among others. He is co-founder of Tomamos la Palabra, a collective that creates interventions in public spaces denouncing homophobia, transphobia, racism and violence. ︎ ︎ ︎